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Showing posts with label Sci-Fi. Show all posts
Showing posts with label Sci-Fi. Show all posts

Terminator 2: Judgment Day

 

Produced for a mere $6 million, modest even by 1984 standards, the first Terminator movie was a surprise success that launched director James Cameron and star Arnold Schwarzenegger onto the Hollywood A-list. After respective careers each boasting bigger and bigger hits, the two finally reunited in 1991 for Terminator 2: Judgment Day. Greenlit by the now-defunct Carolco studio with an astounding budget in the vicinity of $100 million, not only was it the most expensive movie ever made at that point, the sequel's budget was somewhere more than three times larger than the entire domestic box office gross of the first film. It was a huge risk from a studio that eventually drove itself into bankruptcy making similar gambles (the company's finances were such a mess that even producing blockbuster hits lost them money). Of course, T2 as the ad campaign coined it, was a monstrous hit that dominated that year's box office and has gone on to successful longevity as a popular home video staple. The film gave audiences exactly what they wanted, and being a pretty damn entertaining movie and one of the few sequels every bit as good as its predecessor certainly didn't hurt.

To be honest, I find it rather amusing that there are still fans who argue the merits of the first Terminator against its sequel, as if they don't complement each other perfectly. Both movies are exceptionally entertaining works of science fiction with smart scripts and strong direction. While the first Terminator is a leaner, more urgent film with tighter plotting, the mega-budget Terminator 2 excels in bringing the story to a larger canvas while maintaining some rich character development and thematic resonance. It makes a strong case for the "bigger is better" mentality that has sunk many other Hollywood extravaganzas thrown together by less talented filmmakers.

Sure, the movie has some plot holes that contradict the rules previously established (How did the liquid-metal T1000 get through the time portal without a covering of living flesh? For that matter, why didn't the machines from the future just send the new robot assassin back to 1983 to whack Sarah Connor when she wouldn't be expecting it?). But those are hardly worth quibbling about. The fact is, no other filmmaker delivers more bang-for-the-buck than James Cameron. When he spends a lot of money to make a movie, it all shows up on screen. His action scenes not only continue to top one another in scope and ambition, but are executed with precision and elegance unmatched by his contemporaries. The action progresses naturally from the story in T2, and is more than just empty spectacle. That's one of the reasons the movie holds up so well despite advances in special effects technology. The CGI "morphing" process that was so revolutionary at the time looks a little crude by current standards, but is integral to the movie's story, not just an effect for effect's sake. Cameron's skill at blending many different types of visual effect (CGI, miniatures, rear projection) is also unparalleled. The director is notorious in the industry for being a control freak who micromanages every aspect of his movies' production, and that may indeed not make for a pleasant working environment, but there's no denying that he knows exactly what he wants and will go to any length to get it right. The success or failure of a James Cameron movie rests entirely on James Cameron's shoulders.

Make no mistake, Terminator 2 was and still is an enormous success, both financially and artistically. Smart, thrilling, and action-packed, it's endlessly repeatable entertainment. That's probably why it's been released and re-released so often on every video format since its debut.

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Morbius (2022)

 

One of the most compelling and conflicted characters in Sony Pictures Universe of Marvel Characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero Michael Morbius. Dangerously ill with a rare blood disorder and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. While at first it seems to be a radical success, a darkness inside him is unleashed. Will good override evil – or will Morbius succumb to his mysterious new urges?

Dr. Michael Morbius is a successful biochemist that has won the Nobel Prize for his work. Things take a dark turn when Morbius contracts a rare blood disorder. He is forced to treat himself, and the result is horrifying. Morbius becomes transformed into a living vampire. He must now battle his own lust for human blood as he also uses his newfound power to seek out those who may be responsible for Dr. Morbius' fate.

https://amzn.to/3afKRbD

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Dune (2021)

 


Director

Denis Villeneuve

Writers

Jon Spaihts(screenplay by)Denis Villeneuve(screenplay by)Eric Roth(screenplay by)

Stars

Timothée ChalametRebecca FergusonZendaya

Genres

ActionAdventureDramaSci-Fi

Release date

October 22, 2021 (United States)

Countries of origin

United StatesCanada

Official sites

Official siteOfficial Site (Japan)

Languages

EnglishMandarin

Also known as

Hành Tinh Cát

Filming locations

Wadi Rum, Jordan

Production companies

Warner Bros.Legendary EntertainmentVilleneuve Films

A mythic and emotionally charged hero's journey, "Dune" tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.




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Star Wars: The Last Jedi (Blu-Ray)

I went to see this with high expectations,I thought the last film was ok. It lacked imagination and new ideas but I understand why they went safe. I found this one to be a bit odd,at times almost a parody or spoof with the odd dramatic moment. I hoped they'd have an interesting story arc lined up for rey,fin etc but these characters just don't feel like real people so its hard to sympathise with them like you could with the original characters. Luke was sad,like an old dog that needed putting out his misery. Nice one. Klylo is pretty wet,like a big baby and not scary at all. It looked pretty and the costumes special effects etc were nice but story wise a bit hollow. I just remembered the bit when the space ship was landing and it turned out to be an iron. That sums the film up,makes you think something and the goes no its something kind of dum instead. The first order wouldn't use irons as their advanced technologically but the jokes more important than sense. Why not just make a good story and realistic characters or is that no longer possible.
Synopsis:

The Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks new mysteries of the Force.

Bonus Content
Feature:
Audio Commentary
Bonus Disc:
The Director And The Jedi
Balance Of The Force
Scene Breakdowns - Lighting The Spark: Creating The Space Battle
Scene Breakdowns - Snoke And Mirrors
Scene Breakdowns - Showdown On Crait
Andy Serkis Live! (One Night Only)
Deleted Scenes (14)
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Johnny Sokko and His Flying Robot: The Complete Series DVD

Robot, attack! Robot, destroy! These commands launched a thousand sci-fi fantasies for budding fans of the genre, just as they brought Johnny Sokko’s Giant Robot into imminent battle action! Under the voice control of young Johnny Sokko, the massive, flying metal behemoth would bring his fiery breath, laser eyes, finger-launched missiles and, above all, his physical strength into battle with countless menacing monsters bent on destroying the Earth! br>

This epic fantasy series from Toei Studios aired from 1967 to 1968 and garnered even more fans in after-school reruns throughout the 70s. Collected here for the first time on DVD are all 26 episodes of explosive kaiju battles, nefarious alien takeover plots and mind-blowing heroics from jet-packed Johnny Sokko and his equally airborne friend and protector: Giant Robot!

A megaton punch of metal-plated, missile-shooting, monster-bashing retro nostalgia awaits former '70s kidvid fans and new viewers alike in Johnny Sokko and His Flying Robot, which compiles all 26 episodes of the tokusatsu classic's presentation on American TV. Conceived by Toei Company producer Toru Hirayama (Kamen Rider, Super Sentai Series) and manga artist Mitsuteru Yokoyama, Giant Robo, as the series was known in Japan during its 1967-1968 network run, offered an appealing spin on the premise of Yokoyama's previous creation, Tetsujin 28-go/Gigantor, via a loophole clause that granted complete control over the titular, pharaoh-esque robot to the first person to speak into its remote-control device. That duty falls to young Daisaku Kusama/Johnny Sokko (Mitsunobu Kaneko), who is subsequently inducted into the secret peacekeeping organization Unicorn in order to thwart the Lovecraftian alien Emperor Guillotine, who employs an army of monsters in his plans for world domination. What follows is a heady pop-culture sugar rush that combines Ultraman-style giant monster brawls with Bondian spy thrills and a massive dose of adolescent wish fulfillment as Johnny and Giant Robot take on not only Guillotine's human henchmen, the Gargoyle Gang, but also an increasingly bizarre (even by tokusatsu standards) menagerie of creatures, from the colossal eyeball known as Opticon to acid-spouting starfish Scalion, a huge metal claw, an oversize jawbone with eyes, a competing giant robot called Cleopat, and the blue-faced space vampire Drakulon (not to be confused with another foe, the piscine Dracolon).

The action is frantic and plentiful, and the silent but stalwart Giant Robot makes for an ideal fantasy playmate/hero, which should increase the show's appeal to modern younger viewers (though parents should be aware that there is also an awful lot of gunplay between Unicorn and Gargoyle agents, with the latter frequently ending up dead). Older fans who remember the series from syndicated broadcasts in the '70s and '80s, as well as airings of the compilation film Voyage into Space (which is unfortunately not included in this set), will undoubtedly be pleased to have the entire series run in one DVD set after being unavailable for years outside of grey market or online sources. The individual episodes retain much of the show's vibrant color palette (though the title sequences show considerable wear) as well as an opening logo from Orion Pictures, which acquired the series through its purchase of the American International Pictures library. There may be some consternation over the fact that the four-disc set includes only the English-dubbed version of the series presented by American International Television and not the original Japanese-language edition, but having the show in any format should be reward enough for most viewers. The set also includes typically exhaustive liner notes by Japanese fantasy film and television expert August Ragone, who provides detailed information on the series' creation as well as an episode guide and a rare interview with the late Kaneko.
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Kite

Based on the renowned cult classic anime of the same name, Kite tells the story of Sawa (India Eisley), a young woman living in a corrupt society where crime and gangs terrorize the streets. When Sawa’s mother and policeman father are found victims of a grisly double homicide, she begins a ruthless pursuit for the man who murdered them. With the help of her father’s ex-partner, Karl Aker (Samuel L. Jackson), and a mysterious friend from her past (Callan McAuliffe), she becomes a merciless assassin, blasting her way through the dark world of human trafficking only to uncover a devastating truth. Extras include featurettes.
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Guardians of the Galaxy DVD

An action-packed, epic space adventure, Marvel’s Guardians of the Galaxy expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe. To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits—Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last desperate stand—with the galaxy’s fate in the balance.  Extras include commentary, featurettes, deleted/extended scenes, gag reel and look at Marvel’s Avengers: Age of Ultron.
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Redneck Zombies Collector's Edition, Limited Edition, The 20th Anniversary Edition, 20th Anniversary Edition, Director's Cut DVD

When a clan of hillbily dirtfarmers turn a misplaced barrell of chemical waste into a whiskey still, going blind is the least of their worries as the toxic moonshine turns them into REDNECK ZOMBIES! Now they're ready to invite a group of wayward yankees to a down-home feast of southern-fried gore and mayhem that will turn your stomach and tickle your funny bone! So grab a seat and set a spell with your favorite gut-chompin, tobacco chewin' cannibal kinfolk from hell in REDNECK ZOMBIES!








Special Features include:
-Brand New Director-Approved Color-Corrected Transfer of the Film
-The Original Never-Before-Released Soundtrack on bonus CD!
-New Interviews with Director Pericles Lewnes and cast
-New Feature-length Audio Commentary by Pericles Lewnes and producer Edward Bishop
-Deleted Scenes, Outtakes, Original Promotional Videos, and Much More!
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Jaguares contra el Invasor Misterio (1973)

Director: Juan Manuel Herrera
Country: Mexico | Colombia
Language: Spanish
Release Date: 4 September 1975 (Mexico)
rush into a remote region of Central America. Is this a meteorite, how do you most tend to believe it? No. It's a spaceship driven by a group of aliens who want to subjugate humanity by destroying the economy. After knocking down the will of distinguished scientists and a host of soldiers to ensure coverage and protection, the invaders launch gold and diamonds with sophisticated machines aimed at causing the collapse of world markets. Luckily for us, a masked hero, "El Jaguar", and his comrades, find in an cave the refuge of extraterrestrials and with the help of the police they engage in a tough battle to overthrow them.
Colombia also has a small science fiction movie production. The model that is recalled is the Mexican one that builds tailored adventures for popular ring champions and free fight. The film is made with small media, the story is weak and development is naive (... alien perfumes have the usual avvenistic weapons that work with disintegrating rays and deadly gases; heroes in turn can overcome them with muscular strength biceps ..), but this strange space invader that identifies the economy of the structure of our society is interesting and the inspiration might (perhaps beyond the intentions of the script) to some socio-political reflection. Of the same director: Karla contra los Jaguares.


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War of the Robots (1978)

Call me crazy, but I found "War of the Robots" to be a campy charmer. While the plot--involving a crazy professor and an "empress" (who looks like Zora Kerowa's evil twin), a league of blind alien beings, and a league of Aryan robots--is negligible, the film possesses a low-budget spirit that carries it quite a ways. Sure, it feels like a rip-off of "Star Wars," "Star Trek," "Dark Star," and even "Cave Dwellers" (which came a few years later), but it's low-budget fun in the same way that playing with "A-Team" action figures was fun when I was 5. That, and the atrocious special effects, lousy dubbing, chintzier sets, and sci-fi tropes (ray-guns that are really nothing but souped-up flashlights) makes "War of the Robots" especially juicy for a MST3K-style skewering with a group of friends (one wonders how this avoided the Satellite of Love).

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Frankenstein Meets the Spacemonster (1965)

When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. Landing in Puerto Rico, they shoot down a NASA space capsule manned by an android. With his electronic brain damaged, the android terrorizes the island while the Martians raid beaches and pool parties.

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