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Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Terminator 2: Judgment Day

 

Produced for a mere $6 million, modest even by 1984 standards, the first Terminator movie was a surprise success that launched director James Cameron and star Arnold Schwarzenegger onto the Hollywood A-list. After respective careers each boasting bigger and bigger hits, the two finally reunited in 1991 for Terminator 2: Judgment Day. Greenlit by the now-defunct Carolco studio with an astounding budget in the vicinity of $100 million, not only was it the most expensive movie ever made at that point, the sequel's budget was somewhere more than three times larger than the entire domestic box office gross of the first film. It was a huge risk from a studio that eventually drove itself into bankruptcy making similar gambles (the company's finances were such a mess that even producing blockbuster hits lost them money). Of course, T2 as the ad campaign coined it, was a monstrous hit that dominated that year's box office and has gone on to successful longevity as a popular home video staple. The film gave audiences exactly what they wanted, and being a pretty damn entertaining movie and one of the few sequels every bit as good as its predecessor certainly didn't hurt.

To be honest, I find it rather amusing that there are still fans who argue the merits of the first Terminator against its sequel, as if they don't complement each other perfectly. Both movies are exceptionally entertaining works of science fiction with smart scripts and strong direction. While the first Terminator is a leaner, more urgent film with tighter plotting, the mega-budget Terminator 2 excels in bringing the story to a larger canvas while maintaining some rich character development and thematic resonance. It makes a strong case for the "bigger is better" mentality that has sunk many other Hollywood extravaganzas thrown together by less talented filmmakers.

Sure, the movie has some plot holes that contradict the rules previously established (How did the liquid-metal T1000 get through the time portal without a covering of living flesh? For that matter, why didn't the machines from the future just send the new robot assassin back to 1983 to whack Sarah Connor when she wouldn't be expecting it?). But those are hardly worth quibbling about. The fact is, no other filmmaker delivers more bang-for-the-buck than James Cameron. When he spends a lot of money to make a movie, it all shows up on screen. His action scenes not only continue to top one another in scope and ambition, but are executed with precision and elegance unmatched by his contemporaries. The action progresses naturally from the story in T2, and is more than just empty spectacle. That's one of the reasons the movie holds up so well despite advances in special effects technology. The CGI "morphing" process that was so revolutionary at the time looks a little crude by current standards, but is integral to the movie's story, not just an effect for effect's sake. Cameron's skill at blending many different types of visual effect (CGI, miniatures, rear projection) is also unparalleled. The director is notorious in the industry for being a control freak who micromanages every aspect of his movies' production, and that may indeed not make for a pleasant working environment, but there's no denying that he knows exactly what he wants and will go to any length to get it right. The success or failure of a James Cameron movie rests entirely on James Cameron's shoulders.

Make no mistake, Terminator 2 was and still is an enormous success, both financially and artistically. Smart, thrilling, and action-packed, it's endlessly repeatable entertainment. That's probably why it's been released and re-released so often on every video format since its debut.

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Morbius (2022)

 

One of the most compelling and conflicted characters in Sony Pictures Universe of Marvel Characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero Michael Morbius. Dangerously ill with a rare blood disorder and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. While at first it seems to be a radical success, a darkness inside him is unleashed. Will good override evil – or will Morbius succumb to his mysterious new urges?

Dr. Michael Morbius is a successful biochemist that has won the Nobel Prize for his work. Things take a dark turn when Morbius contracts a rare blood disorder. He is forced to treat himself, and the result is horrifying. Morbius becomes transformed into a living vampire. He must now battle his own lust for human blood as he also uses his newfound power to seek out those who may be responsible for Dr. Morbius' fate.

https://amzn.to/3afKRbD

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Dune (2021)

 


Director

Denis Villeneuve

Writers

Jon Spaihts(screenplay by)Denis Villeneuve(screenplay by)Eric Roth(screenplay by)

Stars

Timothée ChalametRebecca FergusonZendaya

Genres

ActionAdventureDramaSci-Fi

Release date

October 22, 2021 (United States)

Countries of origin

United StatesCanada

Official sites

Official siteOfficial Site (Japan)

Languages

EnglishMandarin

Also known as

Hành Tinh Cát

Filming locations

Wadi Rum, Jordan

Production companies

Warner Bros.Legendary EntertainmentVilleneuve Films

A mythic and emotionally charged hero's journey, "Dune" tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.




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The Mechanic (2011)

Director: Simon West
Genres: Action | Crime | Thriller
Country: USA
Language: English
Release Date: 28 January 2011 (USA)

Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves.

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Guardians of the Galaxy DVD

An action-packed, epic space adventure, Marvel’s Guardians of the Galaxy expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe. To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits—Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last desperate stand—with the galaxy’s fate in the balance.  Extras include commentary, featurettes, deleted/extended scenes, gag reel and look at Marvel’s Avengers: Age of Ultron.
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Nueva Viscaya (1973)


Director: Pablo Santiago
Official Sites: Nueva Viscaya (1973)
Country: Philippines
Language: Tagalog | Filipino
Release Date: 17 June 1973 (Philippines)
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Honno-Ji In Flames (1960) (Remastered)

HONNO-JI IN FLAMES
"Teki wa Honno-ji ni ari"

Director: Osone Tatsuo
Cast: MATSUMOTO Koshiro, TAMURA Takahiro, ARASHI Kanjuro

In the waring years of the 16th Century in Japan, when warlords fought bitterly to rule an emerging nation, Oda Nobunaga was the most violent and ruthless of all. Rising from the Owari domain, he soon held nearly all of Japan in his brutal, bloody grip. Breaking and subjugating the clans of Asakura, Saito, and Takeda, drinking saké from the skulls of his enemies, Oda and his armies tore a bloody page in history. But Oda was a terror even to his allies, his generals, and advisors.
He pitted his two generals, Hashiba Hideyoshi and Akechi Mitsuhide in an endless competition for his favor, deriding and humiliating them at the slightest provocation. Hideyoshi, sensing Oda’s fear of betrayal within his army, contrived to fan the flames of Oda’s paranoia and manipulate the lord into challenging and humiliating Mitsuhide repeatedly. But Mitsuhide could take no more abuse at Oda’s hands and the conflict between Mitsuhide, Oda, and Hideyoshi could only end in a conflagration, a tempest of fire and bloodshed.

Remastered Print

1960 Color Anamorphic Widescreen 98 Mins.
Japanese with Optional English Subtitles.
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The Clutching Hand (1968)


A villain with the power to be invisible, he owns a ray machine with which he tries to impose his law. Only the clumsiness of blackmailers and the opposition of several fighting heroes of the ring, will manage to frustrate their plans. Aftermath of "The possessed of the ring
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Santo & Blue Demon vs Dracula

After facing defeat at the hands of Cristaldi the magician, Dracula is back to seek revenge and rule the world. With the help of Wolfman and his legion of followers, victory seems eminent. Professor Cristaldi, a descendant of the magician, is warned about Dracula's plans and calls upon El Santo and Blue Demon in the hopes that they can put the infamous Count and the werewolf down for good.
Four hundred years ago, Count Dracula and the Wolf Man attempted to unite the powers of Darkness but were foiled by one man, the alchemist Elco Cristaldi. Today, at the end of the cabalistic time, Dracula has risen anew and he turns his vengeful eye on Cristaldi's descendants. Except that one of them, the lovely Lina Cristaldi, happens to be El Santo's girlfriend. Sucks for Dracula.

In Mexico, professional wrestlers (or "luchadores") enjoy near mythic heights of popularity, and no one is more revered or celebrated than El Santo. Santo inhabits a special place in Mexican cinema, his more than fifty films an extension of his real life professional wrestling career. Lucha Libre is a realm in which the luchadores are nearly regarded as real life superheroes. And so it wasn't really a stretch for Santo to cross over into motion picture as a caped crime-fighter. And he never, never ever took his silver mask off. What helped to sell Santo was that he always exuded a quiet nobility. He seemed so trustworthy and solid and heroic. This translated to box office cha-ching.


In cinema the decades would see Santo come face to face with all manner of threats, ranging from spies to robots to aliens to supernatural beasties and ghoulies. DVDs of Santo's films are notoriously hard to come by, especially with English sub-titles. SANTO Y BLUE DEMON CONTRA DRACULA Y EL HOMBRE LOBO (or "Santo & Blue Demon Versus Dracula & the Wolf Man") is another surreal Santo adventure, released back in 1973. I say "surreal" because Santo's films never strived too hard to place our hero in the real world. Or in a grounded story, for that matter. It's okay. Santo's world is one in which the man never takes his mask off and no one says diddly. It adds to the charm, the Santo films' persistent dismissal of reality, and that there isn't much continuity linking the films together. Each adventure seems to have Santo with a different love interest.

This film doesn't break a sweat when it shrugs off internal continuity. Keen focus is paid on the mystical dagger of the Boidros, a weapon of which Dracula is very leery. And yet, when it comes down to it, the sacred dagger doesn't even factor into the disposing of Dracula and the Wolf Man. Still, I like the neat twist involving the dagger and the hunchback henchman. Even if it's not quite the payoff I was expecting.

There are wrestling matches, naturally, and these are rugged contests staged without the fake stuff, without the melodramatic preamble and the soap opera and the rigged referee and the breakaway chair. But it's all about Santo and his formidable (and deeper-voiced) partner Blue Demon taking on the vile forces of Darkness (as well as a troop of garden variety hoodlums). Aldo Monti, who plays Dracula, comes off as a poor man's Christopher Lee. The Wolf Man (Agustín Martínez Solares) is made less ridiculous by dint of his appearing for most of the film in his human guise. But since the Wolf Man's name is Rufus Rex and he does go around part of the time wearing a gold lamé disco shirt, he's still ridiculous. There's just no place in the world for a rico suave lycanthrope.

Radio wrist watches. Those short, short mini-skirts. That ominous yet kitschy organ music that occasionally passes for the movie score. A luchador named "Renato the Hippie." No surprise that a sense of campiness infuses this joint, but don't let that stop you from relishing a slew of fun beats. Such as Santo and Blue Demon in repose and playing chess. Or the free-for-all smackdown in the underground cavern which features a precarious catwalk hanging over a pit of sharpened stakes. Or the awesomely cheesy dialogue, such as when the Wolf Man suggests recruiting the luchadores to the infernal cause, and his hunchback lackey retorts: "It would be useless, master. El Santo is a retrograde man. He still believes in good and justice. The other masked man is also an imbecile." Heh.

The DVD's bonus stuff (which ain't much):

- The Best of El Santo - a highlight reel of Santo in action (00:02:02 minutes long)
- Rise Above Entertainment - basically clicks to one page listing several films under the Rise Above banner
- Photo Gallery
- Santo Collection Trailers (for SANTO INFRATERRESTRE and SANTO Y BLUE DEMON CONTRA EL DOCTOR FRANKENSTEIN)
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The Batwoman (1968)

A mad scientist is wanting to create a race of super gill men. He uses the glands of wrestlers because they are "perfect". Wrestlers are winding up dead all over Acapulco so the call goes out for that mysterious crime fighter BATWOMAN!
Absolutely silly late 60's Spanish-language, Mexican-made masked heroine flick. A masked heroine (with no particular super-powers other than some wrestling skills) takes on a mad scientist (are there any other kind) when he decides to conquer the world by creating fish men. His secret recipe? Toss in a Ken or G.I. Joe doll with an orange fish, mix in some whirlpool action, and voila. His henchmen look like, as my son put it, a bunch of guys that just finished a dominos game. Our heroine fights crime or whatever in a bikini. Isn't she afraid it will shift when she is throwing kicks and punches. She also has two, count them, two boyfriends helping her save the world for Mexican republicanism. Wait till you see the fish-man. A worthy contender for the worst monster costume ever. Not to be missed. The VCI DVD is excellent quality. The picture and color are sharp and clear. Unfortunately no subtitles. Worth getting for the camp value alone. Recommended for fans of the genre.
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Las Luchadoras Contra El Robot Asesino

A lady wrestler and her boyfriend, a policeman, battle a mad scientist who has developed a murderous killer robot and uses it to kidnap wealthy people.
I saw an undubbed/non-subtitled version of this René Cardona wrestling flick, so naturally my judgment is kind of clouded. It's very similiar to the director's former Night Of The Bloody Apes, although there is very little gore and nudity. The sets, story, style have the same feel and the rapist man/monkey monster has a small part. A mad doctor is using a super-strong robot to kidnap various people (probably politcians or rich industrialists, as usual). Somehow a female wrestler and her cop boyfriend finds out about the doctors diabolic plans and runs to the rescue. The robot itself is just a big Mexican with silver color sprayed on his face. His whole act concists of walking through cardboard walls and sink people with one fatal blow. I lost track of how many cardboard doors and walls he must have walked through during the film's brief 90 minutes, but it must have exceeded 20+. Although I loved the robot and the wrestling, amongst other things, the movie has far too much dialouge for its own good, making it pretty dull for non-Spanish talking people like me. Thus, I cannot really recommend this film to others than Hispanic viewers or fans of Mexican wrestling.
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The Warlords (2007)

In "The Warlords," another rendition of the classic Chinese tale of loyalty and betrayal of three brothers, we see evidence of something many may not realize: when not hampered by his horrible accent, Jet Li can act, in fact, for this role he received an Asian Film Award nomination for Best Actor. He may not be a Deniro or a Denzel, but he's at least got that certain intensity that makes Clint Eastwood. We do not, however, get to see what American audiences know Li for, his martial arts prowess. As winner of the Hong Kong Film Awards both for best film and best director, Peter Chan ("The Eye," 1 through infinity it seems), we see here an exemplary piece of cinema which demonstrates the high quality of movies coming from China today. The cinematography is well done, costumes are excellent, epic battle sequences are choreographed beautifully and the characters and complex character relationships are well developed, sincere and sympathetic. In addition to Li, we see moving performances by Andy Lau, a winner of numerous Asian film awards, and Takeshi Kaneshiro, both who Americans may know from "The House of Flying Daggers." If you are looking for a "Jet Li movie" you may likely find yourself bored. Despite the war background of this movie it is, at heart, a drama, and a very good one at that.
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The Lord of the Rings: The Return of the King 2003

THE EYE OF THE ENEMY IS MOVING.

Aragorn is revealed as the heir to the ancient kings as he, Gandalf and the other members of the broken fellowship struggle to save Gondor from Sauron's forces. Meanwhile, Frodo and Sam bring the ring closer to the heart of Mordor, the dark lord's realm.

Every tale embarks us on a new journey, every journey eventually comes to its inevitable end. As for The Lord of the Rings, The Fellowship of the Ring turned out to be a genre-defining classic. The Two Towers astonishingly raised the bar to an even higher level. And even though it did seem near-impossible for The Return of the King to triumph over such towering expectations but against all odds, this final journey of Middle-Earth delivers everything & achieves much more than what was expected from it to bring J.R.R. Tolkien’s legendary saga to an epic & magnificent conclusion.

The Lord of the Rings: The Return of the King is the culmination of the wonderful journey we embarked on with The Fellowship of the Ring & picks up the story right from where it was left off in The Two Towers. The story finds Frodo & Sam continuing their quest towards Mount Doom in order to destroy the One Ring but are unaware of Gollum's forthcoming treachery while the rest of the fellowship prepares for its greatest battle as the Dark Lord Sauron turns his eye on Gondor. But in the end, it all comes down to Frodo & the One Ring to decide the final fate of Middle-Earth.


Directed by Peter Jackson, this chapter remains his finest directional achievement & The Lord of the Rings as a whole is certainly his magnum opus. Making all films in a trilogy succeed on both critical & commercial scale is no mere achievement but to make the next instalment work better than its predecessor two times in a row is even rarer. And yet, Jackson manages to accomplish exactly that in the end with his sweeping cinematic vision, stunning eye for detail & in-depth knowledge of balancing emotional storytelling with large-scale action entertainment.

Written by Peter Jackson, Fran Walsh & Phillipa Boyens, the screenplay is cleverly adapted from the source material as many right choices were made in the decision of what to include & what to leave out from the final script. Walsh also tries her hand at film direction as the shocking prologue this film opens with is her creation. Being the final film of the trilogy, there is a sense of urgency in this chapter but it still ties up all the loose ends appropriately, provides proper farewells to its characters & delivers a high-quality entertainment of such epic proportions that fans couldn’t have asked for a better finale.

Coming to the technical aspects, it once again presents major upgrades in all departments & is seamlessly balanced throughout its runtime. Production design adds even more amazing & meticulously detailed sets to its story. The dazzling cinematography further magnifies the visual presentation to make the cinematic experience even more magical. Howard Shore's epic score reaches a level of greatness with tracks that are truly imposing, beautiful & further expand the domain of its predecessors and the soundtrack of The Lord of the Rings remains the greatest work of his illustrious career.

The most groundbreaking feat is once again its visual effects, however, this time it isn’t a slight advancement but a pretty huge leap. Everything that made its brief appearance in the first two chapters is fully explored in this finale plus the length, scope & magnitude of battle sequences it offers is second to none. Also, with better rendering of its CGI characters & stunning level of craftsmanship in costumes, make-up & sound, The Return of the King sets a new benchmark for visuals in cinema that remains unequaled, as of today, in the scope of how much it contributed to the film’s art while elevating the whole experience.

Despite running at 201 minutes, there were many things which got omitted from the theatrical cut & that’s why the extended edition with more than 50 minutes of additional footage is more recommended. Also, many happen to criticise the extensive time the film takes to finally end its story but if you ever watch The Lord of the Rings the way it is meant to be seen i.e. in one sitting, then it’ll make perfect sense to you because not only is it a reasonably enough time to recover the audience from what is an emotionally draining experience but it also provides proper farewells that every single one of its main characters deserved.

Coming to the performances, The Fellowship of the Ring & The Two Towers introduced almost all characters we needed to be acquainted with & The Return of the King simply brings their arcs to completion. Unlike the previous two films in which Gandalf the Grey (Ian McKellen) & Gollum (Andy Serkis) turned out to be the most impressive characters, respectively, there is no single dominating performance in this chapter as its entire cast puts up a more mature on-screen portrayal of their respective characters & never really leaves anything major to complain about.

J.R.R. Tolkien’s The Lord of the Rings is unanimously hailed by critics & readers alike as the greatest fantasy novel ever written & a milestone in the world of literature. And it's amazing that its film adaptation follows the same route in the world of cinema. It did catapult Peter Jackson into the big leagues of Hollywood while also setting up Weta Digital as one of the foremost VFX studios on the planet but where this saga made its biggest impact is on cinema itself for it changed everything there ever was about epic & fantasy filmmaking, is one of the most important films of the modern era & a landmark moment in the annals of cinema.

On an overall scale, The Return of the King is more than just a fitting conclusion to The Lord of the Rings. It triumphs as one of the greatest sequels ever made but along with The Fellowship of the Ring & The Two Towers, it also makes up for cinema’s greatest motion picture trilogy that will not soon, if ever, find its equal. An unprecedented achievement in the world of filmmaking that's epic in every sense of the word, The Lord of the Rings is in some ways to cinema what its source material was to literature & it is destined to remain a standard against which all future film trilogies will be measured for decades to come.
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Dawn of the Dead (2004)

Director: Zack Snyder
Writers: George A. Romero, James Gunn (screenplay)
Stars: Sarah Polley, Ving Rhames, Mekhi Phifer
Genres: Action | Horror
Country: USA | Canada | Japan | France
Language: English
Release Date: 19 March 2004 (USA)
Also Known As: Zack Snyder's Dawn of the Dead
Filming Locations: Canada

Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall and devise a plan to escape.

Dawn of the Dead is one of the best Zombie films ever made. It combines a decent storyline, good acting, nice cinematography, good dialogue, good soundtrack and is genuinely scary.

From it's brilliant realised and scary opening, Dawn of the Dead holds you by the throat and doesn't let go. The action is pretty much non stop and at times it becomes unbearably tense. As well as a huge amount of gory scenes to keep bloodhounds satisfied it throws in a number of human interest sub plots as the survivors come to terms with their predicament. This stops this being just another one dimensional gore-fest.

What elevates it above most of is that it has characters are not only interesting but totally believable. All the cast do a good job in particular Michael Kelly as the power crazy CJ and Sarah Polley, Jake Webber and Ving Rhames as the main survivors.

This is an incredibly entertaining film packed full of memorable scenes. Most films are let down by their ending but this one is highly satisfactory if a little bleak. Anyone that likes Zombie movies is almost certain to like it. In my opinion it is pretty much the perfect Zombie movie. Highly recommended.
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