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Terminator 2: Judgment Day

 

Produced for a mere $6 million, modest even by 1984 standards, the first Terminator movie was a surprise success that launched director James Cameron and star Arnold Schwarzenegger onto the Hollywood A-list. After respective careers each boasting bigger and bigger hits, the two finally reunited in 1991 for Terminator 2: Judgment Day. Greenlit by the now-defunct Carolco studio with an astounding budget in the vicinity of $100 million, not only was it the most expensive movie ever made at that point, the sequel's budget was somewhere more than three times larger than the entire domestic box office gross of the first film. It was a huge risk from a studio that eventually drove itself into bankruptcy making similar gambles (the company's finances were such a mess that even producing blockbuster hits lost them money). Of course, T2 as the ad campaign coined it, was a monstrous hit that dominated that year's box office and has gone on to successful longevity as a popular home video staple. The film gave audiences exactly what they wanted, and being a pretty damn entertaining movie and one of the few sequels every bit as good as its predecessor certainly didn't hurt.

To be honest, I find it rather amusing that there are still fans who argue the merits of the first Terminator against its sequel, as if they don't complement each other perfectly. Both movies are exceptionally entertaining works of science fiction with smart scripts and strong direction. While the first Terminator is a leaner, more urgent film with tighter plotting, the mega-budget Terminator 2 excels in bringing the story to a larger canvas while maintaining some rich character development and thematic resonance. It makes a strong case for the "bigger is better" mentality that has sunk many other Hollywood extravaganzas thrown together by less talented filmmakers.

Sure, the movie has some plot holes that contradict the rules previously established (How did the liquid-metal T1000 get through the time portal without a covering of living flesh? For that matter, why didn't the machines from the future just send the new robot assassin back to 1983 to whack Sarah Connor when she wouldn't be expecting it?). But those are hardly worth quibbling about. The fact is, no other filmmaker delivers more bang-for-the-buck than James Cameron. When he spends a lot of money to make a movie, it all shows up on screen. His action scenes not only continue to top one another in scope and ambition, but are executed with precision and elegance unmatched by his contemporaries. The action progresses naturally from the story in T2, and is more than just empty spectacle. That's one of the reasons the movie holds up so well despite advances in special effects technology. The CGI "morphing" process that was so revolutionary at the time looks a little crude by current standards, but is integral to the movie's story, not just an effect for effect's sake. Cameron's skill at blending many different types of visual effect (CGI, miniatures, rear projection) is also unparalleled. The director is notorious in the industry for being a control freak who micromanages every aspect of his movies' production, and that may indeed not make for a pleasant working environment, but there's no denying that he knows exactly what he wants and will go to any length to get it right. The success or failure of a James Cameron movie rests entirely on James Cameron's shoulders.

Make no mistake, Terminator 2 was and still is an enormous success, both financially and artistically. Smart, thrilling, and action-packed, it's endlessly repeatable entertainment. That's probably why it's been released and re-released so often on every video format since its debut.

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Tales Of Terror - The Haunted Apartments

 

Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force. Aimi begins to see visions of a girl that doesn't exist. She learns that a girl named Ai lived here 30 years ago before she vanished one day on her way home from school. Aimi is driven to find out more about her. She learns that Ai wasn't abducted, but in fact came back to the building the day she disappeared. Can Aimi learn the horrible truth of what happened to Ai? And what is the dark, disturbing secret that the two girls share?


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Morbius (2022)

 

One of the most compelling and conflicted characters in Sony Pictures Universe of Marvel Characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero Michael Morbius. Dangerously ill with a rare blood disorder and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. While at first it seems to be a radical success, a darkness inside him is unleashed. Will good override evil – or will Morbius succumb to his mysterious new urges?

Dr. Michael Morbius is a successful biochemist that has won the Nobel Prize for his work. Things take a dark turn when Morbius contracts a rare blood disorder. He is forced to treat himself, and the result is horrifying. Morbius becomes transformed into a living vampire. He must now battle his own lust for human blood as he also uses his newfound power to seek out those who may be responsible for Dr. Morbius' fate.

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Spider-Man: No Way Home

 


Peter Parker's secret identity is revealed to the entire world. Desperate for help, Peter turns to Doctor Strange to make the world forget that he is Spider-Man. The spell goes horribly wrong and shatters the multiverse, bringing in monstrous villains that could destroy the world.

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Dune (2021)

 


Director

Denis Villeneuve

Writers

Jon Spaihts(screenplay by)Denis Villeneuve(screenplay by)Eric Roth(screenplay by)

Stars

Timothée ChalametRebecca FergusonZendaya

Genres

ActionAdventureDramaSci-Fi

Release date

October 22, 2021 (United States)

Countries of origin

United StatesCanada

Official sites

Official siteOfficial Site (Japan)

Languages

EnglishMandarin

Also known as

Hành Tinh Cát

Filming locations

Wadi Rum, Jordan

Production companies

Warner Bros.Legendary EntertainmentVilleneuve Films

A mythic and emotionally charged hero's journey, "Dune" tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.




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Devil (2010)

Director: John Erick Dowdle
Writers: Brian Nelson (screenplay), M. Night Shyamalan (story)
Stars: Chris Messina, Caroline Dhavernas, Bokeem Woodbine
Genres: Horror | Mystery | Thriller
Country: USA
Language: English | Ukrainian | Spanish
Release Date: 17 September 2010 (USA)
Also Known As: Devil
Filming Locations: Pennsylvania, USA

In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly.

Produced by M. Night Shyamalan, Devil is an intense supernatural thriller. The story follows five strangers who get stuck in an elevator and begin to turn on each other after one of them is attacked and killed during a power outage, meanwhile some unknown force seemingly prevents rescue from the outside. The script is especially well-written, and really brings dramatic tension to the situation. The storytelling too is quite engrossing; drawing the audience into the mystery of who the characters are and what is happening. A riveting and well-crafted film, Devil does an extraordinary job at exploring the themes of paranoia and fear.


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A Field in England (2013)

Director: Ben Wheatley
Writer: Amy Jump
Stars: Julian Barratt, Peter Ferdinando, Richard Glover
Genres: Drama | History | Horror | Mystery
Country: UK
Language: English
Release Date: 5 July 2013 (UK)
Also Known As: A Field in England
Filming Locations: Hampton Estate, Seale, Farnham, Surrey, England, UK

Fleeing for their lives, a small party abandon their Civil War confederates and escape through an overgrown field. Thinking only of what lay behind, they are ambushed by two dangerous men and made to search the field. Psychedelia, madness and chaotic forces slowly overtake the group as they question what treasure lies within the malignant field.


Many people may highly disagree with this sentiment, but I believe 'A Field in England' to be a masterpiece. It is a mind-blowing wartime odyssey that pushes the boundaries of narrative cinema, filled with shocks and surprises at nearly every turn. Experimenting with editing and filmmaking techniques to the point of psychedelic madness, Ben Wheatley crafts one of the most successfully surreal works of cinema I have thus far seen. Everything from the often hilarious writing to the hypnotic score is finely injected with intense talent and, in my opinion, enormous entertainment value. The amount of thrills and laughs in this movie totally subverts the idea that art house cinema is often "boring." This film is so alive and free and refuses to surrender to most cinematic norms, and yet it still follows a coherent narrative with memorable and enjoyable characters and genuine suspense; it nearly reaches the heights of a David Lynch masterpiece in terms of its ability to mix radical experimentation and surrealism with an engaging and cohesive story. Since Lynch is by far my favourite filmmaker, that is high praise. Anyone who is willing to be confused, appalled, and oddly amused owes it to his or herself to see this insane work of cinematic psychedelia.
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Something Creeping in the Dark (1971)

Director: Mario Colucci
Writer: Mario Colucci

Genres: Horror
Country: Italy
Language: Italian
Release Date: 25 April 1975 (USA)

A group of stranded travelers takes refuge in an old abandoned house, only to find out that they are not the only residents of the building.

I first became aware of this (and its equally obscure director) via the *** star rating on the "Giallo" section of the "Cult Filmz" website; incidentally, I also did not know that Farley Granger had worked so extensively in Italy – in that Luchino Visconti's SENSO (1954) was no fluke (I recently watched him in a hybrid poliziottesco/giallo, and another good one it was, Massimo Dallamano's WHAT HAVE THEY DONE TO YOUR DAUGHTERS? [1974])! Having mentioned the latter, this too is as much a horror piece as a giallo since it involves a manifestation brought about by a séance conducted at dead-of-night. The cast is quite interesting – not only mixing familiar/international names (including, apart from the afore-mentioned American actor, Italians Lucia Bose' and Giacomo Rossi-Stuart) with unknown faces, but there are even a couple of behind-the-camera personnel (producer Dino Fazio and renowned composer Angelo Francesco Lavagnino, who also supplies a fine moody score) in the significant roles of Police Inspector and Professor/Occultist respectively! The plot is the typical 'old dark house' routine throwing myriad characters together, stranded by bad weather in a remote and forbidding environment (adding plenty of atmosphere to the already dour brew); harking back to Agatha Christie's much-filmed "And Then There Were None" prototype rather than the traditional stalk'n'slash formula, it is something of a quintessential offering (thus undeservedly overlooked) in this regard. By the way, the notion of having the spirit at large possessing members of the household in turn to commit mayhem would be adopted by Hollywood much later for the not-too-bad IDENTITY (2003)! The still attractive (and former Miss Italy) Bose' was on something of a latter-day roll during this period – since, among others, she made two similarly notable (and likewise strange) efforts i.e. Romolo Guerrieri's THE DOUBLE (1971) and Giulio Questi's extremely-rare ARCANA (1972); unfortunately, her character is made to expire halfway through, but the actress nonetheless makes a lasting impression. Ditto Granger, uncharacteristically cast here as a hardened criminal, pretty much retains the youthful looks that had served the Hollywood veteran so well in his heyday; the film's marvelous – if somewhat abrupt – finale has him as the ghost's latest 'fall guy', to adopt a noir phrase (a genre which tended to elicit the best from the actor).

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The Torture Club (2014)

Director: Kôta Yoshida
Writers: Makoto Fukami (manga), Alpha AlfLayla (manga)
Genres: Comedy | Drama | Romance
Country: Japan
Language: Japanese
Release Date: 19 July 2014 (Japan)

The movie is at a torture club within a prestigious female high school; Right after Yuzuki Muto (Noriko Kijima) entered school, she becomes a member of the Torture Club. The club trains students secretly to enter military and police fields as interrogation experts. Senior student Aoi Funaki (Haruna Yoshizumi), who is a member of the club, tortures members including Yuzuki Muto.
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Ghost Photos: The Cursed Images (2006)

Director: Kôta Yoshida
Genres: Horror
Country: Japan
Language: Japanese
Release Date: 25 August 2006 (Japan)

Toshiko, a high school student, and her brother find a camera in their grandfather's bedroom. Later on, she receives a message to her cell phone from her brother; in this message there is a mysterious picture of a dark forest where an unknown woman is standing. From that moment on, strange things begin to happen to Toshiko, including visions of a strange looking girl. She decides to talk to one of her best friends about it and she tells Toshiko that there is an urban legend about a girl lost in a forest. Soon, Tashiko discovers that there is more about the legend than she actually knows, and it is closer to her than she can imagine.




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The Abominable Dr. Phibes (1971)

Director: Robert Fuest
Writers: James Whiton, William Goldstein
Genres: Comedy | Horror
Country: UK
Language: English | Hebrew
Release Date: 18 May 1971 (USA)

Doctors are being murdered in bizarre manners - bats, bees, a killer frog mask, etc. - which represent the nine Biblical plagues of Egypt. The crimes are orchestrated by an organ-playing, demented madman (from his home base, replete with a clockwork orchestra and help from a beautiful, mute assistant). Detectives are stumped until they find that all the slain doctors once assisted a Dr. Vesalius on an unsuccessful operation involving the wife of organist Dr. Phibes, killed in a car crash upon learning of his wife's death. He couldn't be the culprit, could he?
Vincent Price bashers accuse him of being a ham. Now Price was capable of restrained performances, just have a look at 'Witchfinder General', but sometimes his hilarious over the top style perfectly suited the material. This is definitely the case with 'The Abominable Dr. Phibes', which could well be his most entertaining movie. The film was directed by Robert Fuest, who had previously been a writer and art director for 'The Avengers', and it shares a similar camp sensibility, with lots of black humour and some deliciously surreal touches. Price was born to play this role! Later there was a sequel (good), and an attempt to recreate the approach with 'Theatre Of Blood' ( for me, a bit of a disappointment), but the original Phibes is easily the best. Price is supported by a strong cast, including Joesph Cotton (who made 'Baron Blood' with Mario Bava around this period), Terry-Thomas, and Peter Jeffrey ('If...'). Cult fans will also get a kick when they see who plays Phibes wife (uncredited): Caroline Munro ('Captain Kronos: Vampire Hunter', 'Maniac', 'Faceless'). 'The Abominable Dr. Phibes' is one of the most entertaining movies I've ever seen. If you haven't seen it before then you are in for a real treat!

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Tijuana Blue (1972)

Director: Howard Ziehm (as Harry Hopper)
Genres: Adult | Comedy
Country: USA
Language: English
Release Date: 12 January 1972 (USA)

A drug runner gets sent to Tijuana to meet with a person named Oddball. He's told not to get involved with prostitutes, to just do the job and nothing else. He brings one friend with him, and they end up having sex with every female they meet.

The presence of very familiar femme porn stars posing as sleazy Mexican whores destroys the meager credibility quotient of TIJUANA BLUE. This would-be slumming expedition in Mexico turns out to be a slumming expedition on Porno Poverty Row.

Since filmmaker Howard Ziehm/Harry Hopper scored a coup in 1970 with MONA, it is surprising to see him turning in such slovenly executed work. He transitioned from pioneer to hack in just a year or so.

Jamie (his name changes variously throughout the film -no continuity girl to ride herd on the thesps) is played by journeyman performer Howard Alexander, needing to raise money for his girl friend's abortion. Against his better judgment he agrees to do some drug running for The Man (Keith Erickson, in a rare non-sex role, playing it more or less straight for a change).

With his best buddy Rick (1-shot Martin Victor) in tow to ride shotgun, he drives to Tijuana in search of the connection, codename Oddball. The pair hang around at an extremely sleazy (and under-lit) joint called 77 Club, where the dancer atop the bar and the various B girls are all humping right out in the open. The Man has warned Jamie against getting involved with local whores, demanding that the job be done cleanly, strictly business. Since this is porn, we in the audience know better.

Jamie gets the runaround, shuttled from whorehouse to whorehouse until he and Rick have sex with several whores. It's all staged in sleazy fashion, a convincingly low-down gutter approach familiar from other Ziehm movies of this period, like HARLOT and THE INCREDIBLE BODY SNATCHERS.

Film builds clumsily to an idiotic conclusion set on a rocky beach, where Jamie is confronted by a butch blonde girl and the surprise appearance of The Man. The ending is supposed to be ironic but is merely incompetent, on the level of a kids' backyard movie.

What sets TIJUANA BLUE apart is the surprise appearance of so many quasi-superstar actresses, when at first it seemed like we were going to see nothing but real-life Mexican street whores. Besides lovely Jill Sweete as Jamie's pregnant gal back home, the wonderful Andy Bellamy puts on a mixed-combo lesbian show with a black madam in fake-Tijuana, and Eve Orlon is wasted as ensemble prostitute. 

With this level of talent Ziehm could have fashioned a real movie, but that would have required such niceties as a script and a budget. Alas, the pay differential in those early days of porn between a superstar and an amateur off the street was negligible.

Film has been reissued on DVD by Alpha Blue Archives in a "Harry Hopper" set, plus a DVD-R version re-titled HOUSE OF WHORES by Something Weird Video.

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Sherlock Holmes Faces Death (1943)

Director: Roy William Neill
Genres: Crime | Film-Noir | Mystery | Romance | Thriller
Country: USA
Language: English
Release Date: 17 September 1943 (USA) 

During WWII several murders occur at a convalescent home where Dr. Watson has volunteered his services. He summons Holmes for help and the master detective proceeds to solve the crime from a long list of suspects including the owners of the home, the staff and the patients recovering there.

This is one of a good number of solid, interesting mysteries in the series of Sherlock Holmes movies starring Basil Rathbone & Nigel Bruce. This one takes the basic idea from the Doyle story "The Musgrave Ritual", and combines it rather freely with several other plot elements to create an essentially new mystery. Some of the additions are rather imaginative in themselves, and overall the mystery has the kind of intriguingly offbeat tone that fits well with the famous characters.

The setting has Watson staying in the Musgrave house, which is being used as a convalescent home for army officers, when a series of violent crimes breaks out. The mystery that arises combines suspense with an interesting puzzle that must be solved. The villain in many of the movies in the Universal series is known from the beginning, but this is one of the exceptions, allowing the viewer to try to deduce what is happening from the same clues that Holmes has available.

Rathbone and Bruce always work well together, and Dennis Hoey always adds some good moments whenever he appears as Inspectator Lestrade. Some of the secondary characters, especially some of the recovering officers, are also interesting. Although this, like the rest of the Universal Holmes features, is set in the (then) present, the setting in the old mansion gives it an atmosphere more like the earlier era of the Doyle originals. Anyone who enjoys the other features in the series should not be disappointed by this one.

Sherlock Holmes Faces Death
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The Pussycat Ranch (1978)

Director: John Christopher
Genres: Adult | Comedy | Western
Country: USA
Language: English
Also Known As: Pussycat Ranch

The rough life of the western cowboy was dirty in more ways than one. And how better to ease the pains and problems of a round up than at the whoopin'est, hootin'est, whorein'est cathouse in the west - Pussycat Ranch! That's right, an entire layout of voluptuous vixens eager to please their men in every imaginable way. And when the star pussycat of them all, Sweet Polly, gets ahold of Billy The Kid, well, you'll just have to watch it to find out! From haystack to four-poster, at PUSSYCAT RANCH the action never quits!

When this movie was made, there was either no actual Pussycat Ranch or it wasn't well-known...the setting is a working ranch (if a failing one) that is not, when things start, supposed to be a whorehouse.

Chacun à son goût, but I find the women prettier than the usual run, not all of them made that many movies, one sex-scene was a little unusual for its time (there was very little anal sex in American pornography then, and it was typically the province of B-list actresses crying-out in pain), a socially-redeeming warning about moonshine, and in the year of its making it stood-out nicely.

There was good cinematography, a plot, hilariously bad pseudo-attempts at humour, and both terrible but original music and some stolen from the best.


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Tales of Terror (1962)

Director: Roger Corman
Genres: Comedy | Horror | Mystery | Thriller
Country: USA
Language: English
Release Date: 17 January 1964 (West Germany)

Three stories adapted from the work of Edgar Allen Poe. A man and his daughter are reunited, but the blame for the death of his wife hangs over them, unresolved. A derelict challenges the local wine-tasting champion to a competition, but finds the man's attention to his wife worthy of more dramatic action. A man dying and in great pain agrees to be hypnotized at the moment of death, with unexpected consequences.

Tales of Terror is a classic anthology of Edgar Allen Poe stories brought to life by Richard Matheson's writing and Roger Corman's directing. It's loaded with genre favorites and Vincent Price stars in all three tales (that right there is enough to make me watch). All three stories are indeed dark or humorous, or both, with The Black Cat being the strongest simply because of the interaction between Price and Peter Lorre. Price really hams it up in the wine tasting scene and I crack up every time. And Lorre is incomparable. This yarn does feature a black cat, but it's more like The Cask of Amontillado actually. The Facts in the Case of M. Valdemar is something else that needs to be seen. Basil Rathbone stars in this one and looks remarkably like a beardless Wes Craven. It's uncanny. Let us not forget the first story, Morella. This one is a dark drama and doesn't offer any humor. It's still great though and Price's character here reminds me quite a bit of the one he played in The Pit and the Pendulum (another Corman/Poe production). If you like the other Corman adaptations of Poe, don't miss this one.

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The Mechanic (2011)

Director: Simon West
Genres: Action | Crime | Thriller
Country: USA
Language: English
Release Date: 28 January 2011 (USA)

Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves.

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The Crazies (2010)

Director: Breck Eisner
Writers: Scott Kosar (screenplay), Ray Wright (screenplay)
Stars: Radha Mitchell, Timothy Olyphant, Danielle Panabaker
Genres: Horror | Thriller
Country: USA | United Arab Emirates
Language: English
Release Date: 26 February 2010 (USA)
Also Known As: The Crazies
Filming Locations: Cordele, Georgia, USA

As a toxin begins to turn the residents of Ogden Marsh, Iowa into violent psychopaths, sheriff David Dutton tries to make sense of the situation while he, his wife, and two other unaffected townspeople band together in a fight for survival.

A transport plane crashes into the water supply of a small Iowa town. Some of the townfolks become infected and turn crazed killers. Sheriff (Timothy Olyphant), his wife (Radha Mitchell), his deputy (Joe Anderson), and a girl from town (Danielle Panabaker) need to escape not only the crazies, but also the military sent to contain the population.

This is remake of a George A. Romero movie. It's not that complicated. It is a horror movie done classically without the jokey references or overt sexualization. There are no gross out jokes or T&A. It is just simple tense horror done right. The scariest scene has to be the women tied down on the gurneys, and a crazy walks in. If you want simple horror, this is all you need.
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Caprona - The Forgotten Land (Blu-Ray)

Caprona - The Forgotten Land is a British-American feature film from 1975. It is based on the novel The Land That Time Forgot by Tarzan inventor Edgar Rice Burroughs. In 1977, the film continued with Caprona - The Return of the Dinosaurs.

On the coast of Scotland a bottle post is found. Its sender tells an incredible story that he experienced himself:

During the First World War, an American ship was sunk by a German submarine. A handful of survivors, including Bowen Tyler and biologist Lisa Clayton, can save themselves on a rowboat and board the submarine. Tyler successfully challenges commander Dietz and captain von Schönfeldt to command of the submarine. Dietz manipulates the compass to drive south to a supply ship. Tyler manages to torpedo the supply ship, but due to the detour, the submarine has only limited supplies.

Since the team reaches an unknown, icy island. Schönfeldt reports that already in the 18th century an Italian navigator had reported on an unknown island in this area, which he called Caprona. Through a river that flows under the rocky island coast into the sea, the submarine crew enters the interior of the island. There she meets prehistoric creatures, such as pterodactyls and a plesiosaur. This immediately falls victim to a member of the crew, but the dinosaur can be made harmless by Tyler.

When exploring the island, the group encounters more primitive animals as well as primitive people, one of whom befriends them. Together with him, the crew continues their island exploration and encounters warlike prehistoric man. She observes a fight between a Tyrannosaurus rex and a Triceratops and encounters two Styrakosaurs. The farther the group comes to the north, the more developed the life forms are. Lisa finally theorizes that this is due to the water of the river.

A horde of ancient humans attacks the group and kidnaps Lisa; The primitive man friend of the islanders comes to death by a pterodactyl. When a volcano erupts, Dietz and von Schönfeldt set off, leaving Lisa and Tyler behind. When they arrive at the shore, the submarine has already left. Distraught, both must watch as the submarine sinks shortly thereafter.

Lisa and Tyler decide to hike north. Tyler throws a bottle post with his experiences on the island into the sea.
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Stripped to Kill (1987)

When Detective Cody Sheehan discovers the body of a stripper from the Rock Bottom dance club, she wants the case. Her partner, Detective Heineman, is equally anxious to make the jump to the prestigious homicide division, but the only way Cody can get the assignment is to go undercover - uncovered - at the club.

I like this movie. It was my first movie that I ever appeared in. I am the guy playing guitar on a bench and get robbed , right before the body gets set on fire. We shot all of that ,that night. The fire scene as well,,,very cool to watch that unfold.Shot at or about 8pm in the park downtown L.A. and was a little bit cold. Greg was less than receptive on the set,,UNLIKE KAY who was very nice and sweet. I also struck up a chat with the script supervisor who was an actress (cant remember her name thou) and she was very nice and good looking. This movie is slow at times but still has depth and a Good plot line. Peace B

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Blade Of The Immortal (Blu-Ray)

Arrow Video is proud to present Blade of the Immortal, the thrilling, action-packed 100th feature from the Japanese master of genre films, Takashi Miike (Audition, 13 Assassins).

Based on the Manga series of the same name by Hiroaki Samura, Blade stars Takuya Kimura (Love and Honour) as Manji, a highly skilled samurai, who becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain him his soul. He promises to help a young girl named Rin (Hana Sugisaki) avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu (Sôta Fukushi). The mission will change Manji in ways he could never imagine...

This blistering samurai film matches impressive performances with an impossibly high body-count and expertly-filmed scenes of combat. Blade is set to become one of its director's most revered films, and is presented here by Arrow Video with a wealth of special features.

SPECIAL EDITION CONTENTS

High Definition Blu-ray (1080p) presentation
Original 5.1 DTS-HD Master Audio
Optional English subtitles
Takashi Miike on Blade of the Immortal, a new interview with the legendary director filmed exclusively for Arrow Video at the 2017 London Film Festival
Audio commentary by Asian cinema expert Tom Mes
Manji vs. 300, behind the scenes featurette documenting the shooting of the film's thrilling climax
Extensive cast interviews filmed on the set during production
Stills gallery
Original trailers
Reversible sleeve featuring Arrow Films theatrical poster art and original artwork
[FIRST PRESSING ONLY] Illustrated collector's booklet featuring new writing on the film by Anton Bitel

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