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Terminator 2: Judgment Day

 

Produced for a mere $6 million, modest even by 1984 standards, the first Terminator movie was a surprise success that launched director James Cameron and star Arnold Schwarzenegger onto the Hollywood A-list. After respective careers each boasting bigger and bigger hits, the two finally reunited in 1991 for Terminator 2: Judgment Day. Greenlit by the now-defunct Carolco studio with an astounding budget in the vicinity of $100 million, not only was it the most expensive movie ever made at that point, the sequel's budget was somewhere more than three times larger than the entire domestic box office gross of the first film. It was a huge risk from a studio that eventually drove itself into bankruptcy making similar gambles (the company's finances were such a mess that even producing blockbuster hits lost them money). Of course, T2 as the ad campaign coined it, was a monstrous hit that dominated that year's box office and has gone on to successful longevity as a popular home video staple. The film gave audiences exactly what they wanted, and being a pretty damn entertaining movie and one of the few sequels every bit as good as its predecessor certainly didn't hurt.

To be honest, I find it rather amusing that there are still fans who argue the merits of the first Terminator against its sequel, as if they don't complement each other perfectly. Both movies are exceptionally entertaining works of science fiction with smart scripts and strong direction. While the first Terminator is a leaner, more urgent film with tighter plotting, the mega-budget Terminator 2 excels in bringing the story to a larger canvas while maintaining some rich character development and thematic resonance. It makes a strong case for the "bigger is better" mentality that has sunk many other Hollywood extravaganzas thrown together by less talented filmmakers.

Sure, the movie has some plot holes that contradict the rules previously established (How did the liquid-metal T1000 get through the time portal without a covering of living flesh? For that matter, why didn't the machines from the future just send the new robot assassin back to 1983 to whack Sarah Connor when she wouldn't be expecting it?). But those are hardly worth quibbling about. The fact is, no other filmmaker delivers more bang-for-the-buck than James Cameron. When he spends a lot of money to make a movie, it all shows up on screen. His action scenes not only continue to top one another in scope and ambition, but are executed with precision and elegance unmatched by his contemporaries. The action progresses naturally from the story in T2, and is more than just empty spectacle. That's one of the reasons the movie holds up so well despite advances in special effects technology. The CGI "morphing" process that was so revolutionary at the time looks a little crude by current standards, but is integral to the movie's story, not just an effect for effect's sake. Cameron's skill at blending many different types of visual effect (CGI, miniatures, rear projection) is also unparalleled. The director is notorious in the industry for being a control freak who micromanages every aspect of his movies' production, and that may indeed not make for a pleasant working environment, but there's no denying that he knows exactly what he wants and will go to any length to get it right. The success or failure of a James Cameron movie rests entirely on James Cameron's shoulders.

Make no mistake, Terminator 2 was and still is an enormous success, both financially and artistically. Smart, thrilling, and action-packed, it's endlessly repeatable entertainment. That's probably why it's been released and re-released so often on every video format since its debut.

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Tales Of Terror - The Haunted Apartments

 

Aimi and her father move into an old, apartment building and learn quickly that things are not normal here. The landlord warns Aimi and her father of the curfew. First, all residents must cross the rope in front of the property by midnight. Second, no one can move out until a new tenant arrives. Those brave enough to break the rules are unmercifully killed by a mysterious force. Aimi begins to see visions of a girl that doesn't exist. She learns that a girl named Ai lived here 30 years ago before she vanished one day on her way home from school. Aimi is driven to find out more about her. She learns that Ai wasn't abducted, but in fact came back to the building the day she disappeared. Can Aimi learn the horrible truth of what happened to Ai? And what is the dark, disturbing secret that the two girls share?


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Morbius (2022)

 

One of the most compelling and conflicted characters in Sony Pictures Universe of Marvel Characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero Michael Morbius. Dangerously ill with a rare blood disorder and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. While at first it seems to be a radical success, a darkness inside him is unleashed. Will good override evil – or will Morbius succumb to his mysterious new urges?

Dr. Michael Morbius is a successful biochemist that has won the Nobel Prize for his work. Things take a dark turn when Morbius contracts a rare blood disorder. He is forced to treat himself, and the result is horrifying. Morbius becomes transformed into a living vampire. He must now battle his own lust for human blood as he also uses his newfound power to seek out those who may be responsible for Dr. Morbius' fate.

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Spider-Man: No Way Home

 


Peter Parker's secret identity is revealed to the entire world. Desperate for help, Peter turns to Doctor Strange to make the world forget that he is Spider-Man. The spell goes horribly wrong and shatters the multiverse, bringing in monstrous villains that could destroy the world.

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Dune (2021)

 


Director

Denis Villeneuve

Writers

Jon Spaihts(screenplay by)Denis Villeneuve(screenplay by)Eric Roth(screenplay by)

Stars

Timothée ChalametRebecca FergusonZendaya

Genres

ActionAdventureDramaSci-Fi

Release date

October 22, 2021 (United States)

Countries of origin

United StatesCanada

Official sites

Official siteOfficial Site (Japan)

Languages

EnglishMandarin

Also known as

Hành Tinh Cát

Filming locations

Wadi Rum, Jordan

Production companies

Warner Bros.Legendary EntertainmentVilleneuve Films

A mythic and emotionally charged hero's journey, "Dune" tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.




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Devil (2010)

Director: John Erick Dowdle
Writers: Brian Nelson (screenplay), M. Night Shyamalan (story)
Stars: Chris Messina, Caroline Dhavernas, Bokeem Woodbine
Genres: Horror | Mystery | Thriller
Country: USA
Language: English | Ukrainian | Spanish
Release Date: 17 September 2010 (USA)
Also Known As: Devil
Filming Locations: Pennsylvania, USA

In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly.

Produced by M. Night Shyamalan, Devil is an intense supernatural thriller. The story follows five strangers who get stuck in an elevator and begin to turn on each other after one of them is attacked and killed during a power outage, meanwhile some unknown force seemingly prevents rescue from the outside. The script is especially well-written, and really brings dramatic tension to the situation. The storytelling too is quite engrossing; drawing the audience into the mystery of who the characters are and what is happening. A riveting and well-crafted film, Devil does an extraordinary job at exploring the themes of paranoia and fear.


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A Field in England (2013)

Director: Ben Wheatley
Writer: Amy Jump
Stars: Julian Barratt, Peter Ferdinando, Richard Glover
Genres: Drama | History | Horror | Mystery
Country: UK
Language: English
Release Date: 5 July 2013 (UK)
Also Known As: A Field in England
Filming Locations: Hampton Estate, Seale, Farnham, Surrey, England, UK

Fleeing for their lives, a small party abandon their Civil War confederates and escape through an overgrown field. Thinking only of what lay behind, they are ambushed by two dangerous men and made to search the field. Psychedelia, madness and chaotic forces slowly overtake the group as they question what treasure lies within the malignant field.


Many people may highly disagree with this sentiment, but I believe 'A Field in England' to be a masterpiece. It is a mind-blowing wartime odyssey that pushes the boundaries of narrative cinema, filled with shocks and surprises at nearly every turn. Experimenting with editing and filmmaking techniques to the point of psychedelic madness, Ben Wheatley crafts one of the most successfully surreal works of cinema I have thus far seen. Everything from the often hilarious writing to the hypnotic score is finely injected with intense talent and, in my opinion, enormous entertainment value. The amount of thrills and laughs in this movie totally subverts the idea that art house cinema is often "boring." This film is so alive and free and refuses to surrender to most cinematic norms, and yet it still follows a coherent narrative with memorable and enjoyable characters and genuine suspense; it nearly reaches the heights of a David Lynch masterpiece in terms of its ability to mix radical experimentation and surrealism with an engaging and cohesive story. Since Lynch is by far my favourite filmmaker, that is high praise. Anyone who is willing to be confused, appalled, and oddly amused owes it to his or herself to see this insane work of cinematic psychedelia.
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Something Creeping in the Dark (1971)

Director: Mario Colucci
Writer: Mario Colucci

Genres: Horror
Country: Italy
Language: Italian
Release Date: 25 April 1975 (USA)

A group of stranded travelers takes refuge in an old abandoned house, only to find out that they are not the only residents of the building.

I first became aware of this (and its equally obscure director) via the *** star rating on the "Giallo" section of the "Cult Filmz" website; incidentally, I also did not know that Farley Granger had worked so extensively in Italy – in that Luchino Visconti's SENSO (1954) was no fluke (I recently watched him in a hybrid poliziottesco/giallo, and another good one it was, Massimo Dallamano's WHAT HAVE THEY DONE TO YOUR DAUGHTERS? [1974])! Having mentioned the latter, this too is as much a horror piece as a giallo since it involves a manifestation brought about by a séance conducted at dead-of-night. The cast is quite interesting – not only mixing familiar/international names (including, apart from the afore-mentioned American actor, Italians Lucia Bose' and Giacomo Rossi-Stuart) with unknown faces, but there are even a couple of behind-the-camera personnel (producer Dino Fazio and renowned composer Angelo Francesco Lavagnino, who also supplies a fine moody score) in the significant roles of Police Inspector and Professor/Occultist respectively! The plot is the typical 'old dark house' routine throwing myriad characters together, stranded by bad weather in a remote and forbidding environment (adding plenty of atmosphere to the already dour brew); harking back to Agatha Christie's much-filmed "And Then There Were None" prototype rather than the traditional stalk'n'slash formula, it is something of a quintessential offering (thus undeservedly overlooked) in this regard. By the way, the notion of having the spirit at large possessing members of the household in turn to commit mayhem would be adopted by Hollywood much later for the not-too-bad IDENTITY (2003)! The still attractive (and former Miss Italy) Bose' was on something of a latter-day roll during this period – since, among others, she made two similarly notable (and likewise strange) efforts i.e. Romolo Guerrieri's THE DOUBLE (1971) and Giulio Questi's extremely-rare ARCANA (1972); unfortunately, her character is made to expire halfway through, but the actress nonetheless makes a lasting impression. Ditto Granger, uncharacteristically cast here as a hardened criminal, pretty much retains the youthful looks that had served the Hollywood veteran so well in his heyday; the film's marvelous – if somewhat abrupt – finale has him as the ghost's latest 'fall guy', to adopt a noir phrase (a genre which tended to elicit the best from the actor).

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The Torture Club (2014)

Director: Kôta Yoshida
Writers: Makoto Fukami (manga), Alpha AlfLayla (manga)
Genres: Comedy | Drama | Romance
Country: Japan
Language: Japanese
Release Date: 19 July 2014 (Japan)

The movie is at a torture club within a prestigious female high school; Right after Yuzuki Muto (Noriko Kijima) entered school, she becomes a member of the Torture Club. The club trains students secretly to enter military and police fields as interrogation experts. Senior student Aoi Funaki (Haruna Yoshizumi), who is a member of the club, tortures members including Yuzuki Muto.
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Ghost Photos: The Cursed Images (2006)

Director: Kôta Yoshida
Genres: Horror
Country: Japan
Language: Japanese
Release Date: 25 August 2006 (Japan)

Toshiko, a high school student, and her brother find a camera in their grandfather's bedroom. Later on, she receives a message to her cell phone from her brother; in this message there is a mysterious picture of a dark forest where an unknown woman is standing. From that moment on, strange things begin to happen to Toshiko, including visions of a strange looking girl. She decides to talk to one of her best friends about it and she tells Toshiko that there is an urban legend about a girl lost in a forest. Soon, Tashiko discovers that there is more about the legend than she actually knows, and it is closer to her than she can imagine.




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The Abominable Dr. Phibes (1971)

Director: Robert Fuest
Writers: James Whiton, William Goldstein
Genres: Comedy | Horror
Country: UK
Language: English | Hebrew
Release Date: 18 May 1971 (USA)

Doctors are being murdered in bizarre manners - bats, bees, a killer frog mask, etc. - which represent the nine Biblical plagues of Egypt. The crimes are orchestrated by an organ-playing, demented madman (from his home base, replete with a clockwork orchestra and help from a beautiful, mute assistant). Detectives are stumped until they find that all the slain doctors once assisted a Dr. Vesalius on an unsuccessful operation involving the wife of organist Dr. Phibes, killed in a car crash upon learning of his wife's death. He couldn't be the culprit, could he?
Vincent Price bashers accuse him of being a ham. Now Price was capable of restrained performances, just have a look at 'Witchfinder General', but sometimes his hilarious over the top style perfectly suited the material. This is definitely the case with 'The Abominable Dr. Phibes', which could well be his most entertaining movie. The film was directed by Robert Fuest, who had previously been a writer and art director for 'The Avengers', and it shares a similar camp sensibility, with lots of black humour and some deliciously surreal touches. Price was born to play this role! Later there was a sequel (good), and an attempt to recreate the approach with 'Theatre Of Blood' ( for me, a bit of a disappointment), but the original Phibes is easily the best. Price is supported by a strong cast, including Joesph Cotton (who made 'Baron Blood' with Mario Bava around this period), Terry-Thomas, and Peter Jeffrey ('If...'). Cult fans will also get a kick when they see who plays Phibes wife (uncredited): Caroline Munro ('Captain Kronos: Vampire Hunter', 'Maniac', 'Faceless'). 'The Abominable Dr. Phibes' is one of the most entertaining movies I've ever seen. If you haven't seen it before then you are in for a real treat!

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Tijuana Blue (1972)

Director: Howard Ziehm (as Harry Hopper)
Genres: Adult | Comedy
Country: USA
Language: English
Release Date: 12 January 1972 (USA)

A drug runner gets sent to Tijuana to meet with a person named Oddball. He's told not to get involved with prostitutes, to just do the job and nothing else. He brings one friend with him, and they end up having sex with every female they meet.

The presence of very familiar femme porn stars posing as sleazy Mexican whores destroys the meager credibility quotient of TIJUANA BLUE. This would-be slumming expedition in Mexico turns out to be a slumming expedition on Porno Poverty Row.

Since filmmaker Howard Ziehm/Harry Hopper scored a coup in 1970 with MONA, it is surprising to see him turning in such slovenly executed work. He transitioned from pioneer to hack in just a year or so.

Jamie (his name changes variously throughout the film -no continuity girl to ride herd on the thesps) is played by journeyman performer Howard Alexander, needing to raise money for his girl friend's abortion. Against his better judgment he agrees to do some drug running for The Man (Keith Erickson, in a rare non-sex role, playing it more or less straight for a change).

With his best buddy Rick (1-shot Martin Victor) in tow to ride shotgun, he drives to Tijuana in search of the connection, codename Oddball. The pair hang around at an extremely sleazy (and under-lit) joint called 77 Club, where the dancer atop the bar and the various B girls are all humping right out in the open. The Man has warned Jamie against getting involved with local whores, demanding that the job be done cleanly, strictly business. Since this is porn, we in the audience know better.

Jamie gets the runaround, shuttled from whorehouse to whorehouse until he and Rick have sex with several whores. It's all staged in sleazy fashion, a convincingly low-down gutter approach familiar from other Ziehm movies of this period, like HARLOT and THE INCREDIBLE BODY SNATCHERS.

Film builds clumsily to an idiotic conclusion set on a rocky beach, where Jamie is confronted by a butch blonde girl and the surprise appearance of The Man. The ending is supposed to be ironic but is merely incompetent, on the level of a kids' backyard movie.

What sets TIJUANA BLUE apart is the surprise appearance of so many quasi-superstar actresses, when at first it seemed like we were going to see nothing but real-life Mexican street whores. Besides lovely Jill Sweete as Jamie's pregnant gal back home, the wonderful Andy Bellamy puts on a mixed-combo lesbian show with a black madam in fake-Tijuana, and Eve Orlon is wasted as ensemble prostitute. 

With this level of talent Ziehm could have fashioned a real movie, but that would have required such niceties as a script and a budget. Alas, the pay differential in those early days of porn between a superstar and an amateur off the street was negligible.

Film has been reissued on DVD by Alpha Blue Archives in a "Harry Hopper" set, plus a DVD-R version re-titled HOUSE OF WHORES by Something Weird Video.

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